The Idea Thief (Flash Fiction #30)

“Hello my name is Mr. Damion,” the man on the front step said, reaching out his hand.

Thomas shook it, reluctantly, then wiped his hands off on the grimy towel hanging from his belt loop. Thomas could tell Mr. Damian was from out of town – the top hat, the slim mustache and not a wrinkle in his dress shirt. No, the visitor was not from the Northeast, much less New Jersey and Thomas had no time for visitors regardless of where they were visiting from. “Yes, how can I…” Thomas began.

Mr. Damion slowly drifted from Thomas’ view. His eyes glazed over and he felt a fleeting presence lifting him, tho his feet stood firm. Seconds ticked passed and Thomas felt light, then heavy, then light again. He blinked and noticed a man in front of him, grinning.

Thomas blinked again and suddenly felt nauseous. “Can I help you?” Thomas asked, wondering how long he had been standing there.

“I have all I need, thank you,” the gentleman responded, giving a slight bow, and turning back toward the hard clay of Christie Street.

The mid-day air blew across Thomas’ face as he watched the stranger disappear. He walked in, closed the door, and stood in the parlor and scratched his head.

“Oh well,” he said and walked slowly back to his lab. Sitting on his desk, as if waiting to be picked up, was a glass container. Under it, a book. He knew it was his handwriting and sketches, but it was jumbled in his mind. He picked up the container and caressed it. It felt like his, something he owned, but it’s purpose was not clear. Waiting, gazing, he hoped for some understanding.

When none came he shrugged, took the bulb and the book, and placed them in the crate labeled ‘Discarded Inventions.’ After the lid closed shut, he looked around the room, arms folded, wondering what project he should tackle next.

NOTE: I have been tinkering with the idea for a MG novel about an ‘idea thief’ and wanted to take a crack at it. Please feel free to share any thoughts or ideas!


Anatomy of a Writing Retreat

I had the privilege this past weekend to attend my first ever writing retreat. Four writers from my writing group – Richmond Children’s Writers – and three from another local group made our way an hour and a half south of Richmond to Lake Gaston. One of the members had an in with a condo owner so we got to stay for free (yeah, big plus).

The goals of the retreat were to:

1) have time for writing and critiquing

2) to learn and grow as a writer through sharing and discussion

3) to have fun!

Mission accomplished. It was a wonderful experience and couldn’t have come for a better time for me. I find myself getting comfortable or unmotivated about every 3-4 months and need that little spark to keep me going. It was perfect!

There was a pretty organized schedule, but it was not set in stone. There was time for writing, critiquing, discussion sessions, eating and just enjoying each other’s company. Over a two day period, there was probably 10 hours for writing and 10 hours for other.

The top 3 things I learned at the retreat:

– it’s a very positive experience to sit with other writers and just…write! I’m used to being by myself and leaving all the distractions behind when I write. But sitting in the same room with other writers was very rejuvenating and encouraging. All the clacks of the keyboard, the periodic discussion…there was a great energy. We were very blessed to have a great group that melded well together.

– I need to take more time to brainstorm and discuss my writing projects with other writers. I am very blessed to have a critique group, but I need to take more time to interact about ‘big picture’ subjects and other mechanics of the craft.

– good readers make good writers! I have fallen out of the habit of reading for pleasure and need to get back in the groove.

Considering going to a writing retreat? While this was a group organized retreat and somewhat informal, I imagine all writing retreats are similar in goal and organization. Are you stuck in your writing? Do you find yourself lacking writing friends to brainstorm and commiserate with? Do you have a goal but aren’t sure how to get there? Are you at the point in your writing where you can give honest critiques and receive them as well?

If you answered yes, then it sounds like a writing retreat might be for you! Have a look here for a great tool to help you look for retreats.

I know I am looking forward to doing it again next Spring!

The Importance of a Support System (Tips on Writing Tuesday #5)

This past week, friend and fellow local author, Lana Krumwiede, had a Twitter chat to answer questions about her debut release, Freakling, (which I will be reviewing in the coming weeks), but also to talk about a local writing conference where she will be speaking.  (Sidenote: if you are a writer, and live in Central Virginia, why are you not coming to the James River Writer’s Conference?)

During the Twitter chat, somebody asked her about critique groups.  They asked, “Do you feel every writer needs one?”

This was Lana’s response:

Critique groups may not be important for everyone, but every writer needs writer friends in some fashion. Need that support!
This is something, as a writer, I have only come to appreciate (and apply) within the past year.  Anybody, in any line of work, but especially a creative outlet such as writing, needs a support system.
Now I don’t mean your mom saying, “That’s the best thing I’ve ever read!” or your significant other saying, “You should put that on FB, that’s really good!”   No…you need a support system of people that are not related to you:-)

What I have learned from other writers, and what I have experienced myself, is that the benefit of having a support system of others is at least two-fold:
1) You have an outlet to share your struggles, frustrations, concerns, goals, highs, lows and everything in between….with people who know exactly what you are going through.  It’s one thing to share it with your best friend who says, “Hey that’s great!” or “Don’t give up!”  It’s another thing to share it with a fellow writer, who has struggled as you have, who knows what it’s like to stare at the blank page in frustration.   
You need that kind of support in this lonely world called writing.
2) Your writing will improve.  Writing is not just about writing.  It’s about ideas and learning and techniques and background and every once in a while getting away from the keyboard to find out what others are doing.  Then, when you come back to your material, you will be amazed at how much you have grown.
As Lana mentions above, your support may come from a critique group (maybe online or in person), it may be a local writing group that hosts workshops or just a few friends that get together informally.  However it is, the key is that you find that support.  
Interested but not sure where to start?  Here are some great resources that have been VERY beneficial to me and I hope can at least give you an idea of what’s out there:
Absolute Write Forums – THE writers forum online to discuss everything from ideas, format, technique, editing, publishing, agents, etc.  You name it, it’s on there.  A great community!
Goodreads – Goodreads is a free website for book lovers. Imagine it as a large library that you can wander through and see everyone’s bookshelves, their reviews, and their ratings. You can also post your own reviews and catalog what you have read, are currently reading, and plan to read in the future. Don’t stop there – join a discussion group, start a book club, contact an author, and even post your own writing. 
– Scribophile – The online writing group and writing workshop where you get thoughtful critiques and feedback on your writing.  I was amazed at how much my editing improved as I edited other peoples work, not my own.
– http://www.newpages.com/writing-conferences/ – A great, comprehensive list of local writing conferences.

What kind of support system do you use to help you grow as a writer?

If You Only Read ONE Book On Writing…(Tips on Writing Tuesday #5)

A friend of mine who is becoming a more serious writer asked me this week, “I want to find a book on writing, can you suggest one.”

I could and I did.  I didn’t even have to think about it.

If you only read one book on writing, I suggest it should be (aptly named), On Writing by Stephen King.

You should actually read more than that, but if you could only read one, it should be that one.


Is it because I have a maniacal love affair with Mr. King and his writing and take everything he says to be the gospel truth?  No.  In fact, I have only read a handful of his books in my life time (and some of them I really didn’t like…don’t tell).

No, it’s because in this ‘memoir on the craft’ Stephen King does exactly what any good writer should do…he makes you feel a connection to the main character.  In this case, the main character is him.

As opposed to being a textbook or a ‘how to’ book on writing, we learn not by doing first, but by caring first.  Stephen, in his own relaxed, inviting writing style, invites you to care about him, his writing career, his family, and ultimately your own writing dreams and goals.  Then he is able to provide insight that is beneficial to help with those dreams and goals.

Besides the fact that I now have a deeper respect for Stephen King the man (he talks about his early days of writing, his family life, his almost fatal accident), I also have a love for Stephen King the writer.  Some of the personal insights he shared that were of particular help to me on how to improve as a writer are:

– “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of.”

– “Mostly when I think of pacing, I go back to Elmore Leonard, who explained it so perfectly by saying he just left out the boring parts. This suggest cutting to speed the pace, and that’s what most of us end up having to do (kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings)…I got a scribbled comment that changed the way I rewrote my fiction once and forever. Jotted below the machine-generated signature of the editor was this note: “Not bad, but PUFFY. You need to revise for length. Formula: 2nd Draft = 1st Draft – 10%. Good luck.”

– “Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.”

It is truly one of the most fascinating books I have ever read.  It changed me as a writer, because it changed me as a person.  Ultimately, that’s what good writing has the potential to do, but only if we give a part of ourselves to it.

If you have not read it, get a copy – today!

If you have read On Writing, did it help you as a writer?  How?

Does Reading Help Your Writing? (Tips on Writing Tuesday #4)

“If you want to be a good writer you have to read…LOTS!”

Have you ever heard anybody say that?
I got sick of it.  Every time I went to a website that talked about writing, or perused a writing magazine, or talked to an author, they all said the same thing: “Make sure you spend just as much time reading as you do writing.”


Old me: “Well that’s stupid.  I’m trying to become a writer!  I have family, work…LIFE.  If I don’t take every extra second I have to write I’ll never get that best-seller written!”

Well, old me was ignorant and stubborn.  Thankfully I saw the light.

Three years ago I was still in the early stages of working on my new YA novel and I was at Barnes and Noble with my wife.  She had gone off to wander the shelves and I was going through the magazine stacks.

I walked past the new Writer’s Digest once.  I walked past it twice.  Finally I picked it up.

I walked over to the cafe and sat down next to my love, who had two or three books she was skimming through (she’s an avid reader).  I began looking over the articles and pretending like I was interested and learning a lot.  I stopped on an article that said, in a nutshell, “Read More And Become a Better Writer”.  I sighed, frustrated.

Again with the reading!

My wife was sitting there with her stack of books.  I remember breaking down and gently asking her, “If I read more do you think I’ll be a better writer?”

Short of stating the obvious, she kindly, encouragingly said, “If you were to ask any one of the author’s who has their book in this store that question, what do you think they would say?”

I looked around the store at the THOUSANDS of books and reality set in.  I finally decided to let go of my pride and find the humility to do what had been blatantly obvious all along – READ!

“Honey, what’s the best written book you’ve read recently?”

She thought for a second and replied, ‘The Goose Girl’ by Shannon Hale.”  Uh, okay…sounds manly!

I got the book the next day from the library and read several chapters.  The writing was amazing and on a WHOLE different plane than the stuff I was typing on the keypad.  It would have been easy to get discouraged, but…

The next time I sat down to write, I instantly noticed an improvement in my writing.  No kidding; it was instant.  And the more I continued to read, the more my writing continued to improve.

I am here to testify to you that it works.  Yes, reading does make you a better writer!

Ever since then I have been an active reader.  I strive to read a book every two weeks.  Sometimes the books are well written and I learn ways to improve and sometimes I don’t like what I’m reading and I learn the type of writing I want to avoid.  Either way, I’m learning and growing as a writer.

So if you are not already, find something to read…and don’t stop – your writing will thank you for it!

PS – Thank you Shannon Hale for opening my eyes!

If you are a writer, how does being a more active reader help your writing?

The Story that Changed Me (Through the Shelf Thursday #3)

The Lottery by Shirley Jackson (1948)

When I was in elementary and middle school I did not read or write that much.  I HATED writing and only read what I was forced.

But, I do remember reading The Lottery by Shirley Jackson.  I can’t remember exactly what grade I was in (must have been in the fifth or sixth grade), but I will never forget sitting at my desk, and finishing it as part of our class assignment.  The story itself is short and was inserted into our textbook.

It changed me.

It changed how I felt about reading and the power of the written word.  I remember finishing the story and for the first time in my life being moved.  The author had emotionally invested me into the story enough that I cared about the characters and the outcome.

She made me respect what was happening in the world she created.

What was the lottery?

Why could the children participate?  When I read the story for the first time I remember thinking, “Wait a minute, why can these kids play?  My parents play ‘the lottery’ and I can’t, that’s no fair!”

Everyone seemed so keen on doing it, yet there was a calmness about it. Everyone wanted to know who was going to win, but it didn’t seem like anybody was very excited to win. Hmmm!?


The imagery, the foreshadowing, the mood, the climax, and then back to regular life like nothing ever happened.  At a young age I was left speechless, wondering if it was all true?

Simple story that you can either enjoy for story, or you can discuss for the underlying themes (which are MANY).  In both categories, it’s in a league of its own.

Do you remember the first story that really affected you?

What is the Process of Writing a Novel – Part 2 (Tips on Writing Tuesday #3)

Last week I discussed the first six steps in my personal novel writing process.  Today, we finish the discussion…

A 12 Step Novel Writing Process
Part 2: Steps 7-12

7. Plot Draft – Go ahead, it’s okay.  You can actually start writing now:-)

I call my first draft the ‘plot draft’ because it helps me focus on what’s most important at this point, the story…the plot.  You just have to write.  Period.  You cannot go back and edit.


Write and do not edit.  Just get the words on the page. Your plot draft is supposed to stink to high heaven and be full of run on sentences and grammatical mistakes.

The key is just to write…and write…and write!

And when you are done with your plot draft, take time to congratulate yourself.  You have just accomplished something wonderfully hard and worthwhile!

Sidenote:  Remember, now that you have scene outlines and summaries, you don’t have to necessarily write in chronological order.  When you find yourself at a road block with a particular section of the story, you just peruse your scenes and find another part of the story that sounds interesting and keep on writing.  You have already thought it through and planned it out!

8. Personal Revision #1 – After you are done with the plot draft, take a few weeks off.  Don’t even look at the story.

Seriously, put it down!

Come back with fresh eyes and read through the entire story, start to finish.  With this read you are only concerned with story flow and pace.

Does the story as you envisioned it in the outline come across on the page?  Are there parts that need to be cut?  Characters that need to be developed?  Scene changes that don’t make sense?  The ending that sounded so great before on paper not looking so hot?

Make those changes.

9. Personal Revision #2 – Now you can get the red pen out and take care of all that punctuation and grammar that’s been causing you anxiety.  Do the best you can on your way and get your draft as neat and as polished as you can.

10. Peer Revision – The key here is to get more eyeballs on your work that can find things you missed.  The key here is NOT to get praise.


Don’t ask people to read your work when it’s not done (FYI – it’s not done yet) hoping they will give you praise.  Because they might, and that’s the worse thing that could happen to help your story improve.

Find 2 – 3 people in your life that a) like to read and b) you know will tell you the truth.  These people need to be able to read your work and tell you just how much needs to get changed.  Trust me, it’s a good thing.

Take the information you get back from this process and weigh it carefully.  If it is legitimate and helps improve the story, make the changes.  If it doesn’t, well, ignore it.  You have ultimate creative control.

Sidenote: Another very, very positive option is to find a local or online critique group.  This will include other writers that you can not only learn from, but also give back to the writing community.  

11. Personal Revision #3 (Final Manuscript) – One last time, just for good measure, go through and make sure you are happy with story flow, character development and scene structure.  Make line edits as you go, always trying to correct grammar and punctuation as you find it.

Read your synopsis again.  Does the story do what the synopsis says?

If so, you are almost done.

12. Professional Edit – This one has much debate, and rightfully so.  My humble opinion is that a professional edit is worth it.  But…

Only if you find someone that will actually do what you are going to pay them to do.  I know that’s a loaded comment.  The key is you want to find someone who can go through and find all the things that you and your friends and you (again) missed.  At this point you should be focusing on technical editing, not the story.   Find a grammar/punctuation fanatic that will work your manuscript over like it is going to be submitted for the Pulitzer.  If you can find that person, it is worth every cent.

And when I say “professional edit”, I don’t mean your friend who is the school teacher or your neighbor who won the essay contest at the local fair.  Find a reputable, true-blue editor that you don’t know (but that you then can build a working relationship with).  This is easier said than done.  So take time and check references to make sure your expectations match that of the editor.

Assuming you find a great match, whatever grammar or punctuation changes that don’t take away from the voice of your story that they tell you to make…make them.

NOW you are done!

You have a real life manuscript that you can be very proud of.  It will never be perfect.  Every writer has the feeling of wanting to go back and change something.  But if all writing was supposed to be perfect we wouldn’t have anything to read.

You did it.  Congratulations!

If you have written a story, or have thought about writing one but haven’t started, I would love to hear about it.  Leave me a comment below.

Winner of ‘Sentence to Start’ – Week #1

Congratulations to Justin Y. for submitting the sentence that received the most votes this week!

Great job, Justin!  A $5 ecard to Amazon or B&N is on it’s way.

Here it is:

“It was the last thing in the world he’d consider, and the first thing he’d run away from, but he was in a strange place, starving and no other option had presented itself.”

So many questions.  Who is ‘he’?  Where is he?  Why is he starving?  What is going to be the ‘it’ that is the last thing he would consider?   Justin’s sentence will be turned into a story for this coming Monday’s edition.

The sentences getting 2nd and 3rd place votes will be featured on Wednesday’s and Friday’s edition.  Be sure to check back!

Second most votes:

“Here’s the thing about lying: it works. And that’s the truth.”  (Submitted by Lana K.)

Sidenote: I have to admit, this was my personal favorite of the week!

Third most votes:

“He sadly looked on as the world he loved got smaller and smaller.”  (Submitted by Brian T.)

What is the Process of Writing a Novel? Part 1 (Tips on Writing Tuesday #2)

One of my readers asked me last week, “How do you get from having a simple story idea to the completed manuscript?”

I talk to people all the time who have a wonderful book idea.  Unfortunately, they don’t ever see it come to fruition because they don’t know where to start.  The thought of going from a small ten word sentence to 150-300 page book is daunting…for all of us.

Almost three novels and hundreds of thousands of words later, this is the twelve step process I have become most comfortable with to get from point A to point B.  It will not work for all, but I believe within the list are tried and true principles that will work for most.  Over time, you will be able to adapt the list to fit your needs.

So you have a great idea for a story, now what?

A 12 Step Novel Writing Process
Part 1: Steps 1-6

1. Basic Story Arc – You don’t have to have it all down overnight.  Start small.  Who is the main character?  What is their goal?  What stands in their way?  How will they overcome and prevail (or not)?

2. Brainstorm – Now that our idea is more than a passing thought, we need to flesh it out even more.  What is the setting?  Who are other characters?  What makes them tick?  What is the conflict?  What genre?  Lots of notes and ideas will run together.

3. Scene Outline – This is where it gets hard.  A scene outline is a simple, step by step walk through of your story.  A one to two sentence description of each scene…that’s it.  So important, but easier said than done.

I look at this step much like story boarding for a movie.  A director is not going to start shooting a film until they know exactly what is happening, frame by frame.  As a writer, it benefits you to do the same.

I cannot stress this enough – your story is made up of scenes, a book is made up of chapters.

Write in scenes!  

A scene is a vital part of your story where characters interact.  Chapters are simply logistics you can figure out later as you put the book together.

4. Character Profiles – I used this step for the first time with Maiden, and I will never write another book without it.  How can you write a story about characters who have thoughts, feelings and dreams if you don’t have a very firm grasp on who they are, what they want, and how they get it?

Answer…you can’t.

I open up a word document with a page for each character and list traits, background, goals, and even a picture of who I would cast in that role if it were a movie.  For example, my current novel has a main character named John.  He is an honorable but flawed military captain I see as a cross between Captain Mal from Firefly and Arturius (Clive Owen) in the newest King Arthur movie.

5. Scene Summary – With a scene outline and a good grasp on character, now it’s time to expand.  A scene summary takes your one or two sentences and turns them into three or four paragraphs.  You are putting meat onto the bones and your characters and their story are coming alive.

By the end of the scene summary you know exactly what your story is about and all the major plot points.  You know when and how your characters interact with each other, when the bad guy gets in the way and when the good guy prevails, the climax and the ending.

It’s all right there.  All you are really missing is the dialogue to bring everything to life.  But before you start actually writing (and all this time you thought you were writing) you need to make a…

6. Synopsis – I would recommend a 1-page synopsis, but no more than 2-pages.  After outlining, profiling your characters, and creating scene summaries, you should be able to create a 1-2 page synopsis.

A synopsis is vital!  It’s the back of the book blurb that wets the appetite and paints a vivid picture.  It is your blueprint moving forward to pull out when times get tough and you can’t remember why you started writing in the first place.

Click here for Part 2 and steps 7-12.

If you have written a story, or have thought about writing one but haven’t started, I would love to hear about it.  Leave me a comment below.

Sentence to Start – Week #2: Submit Away!

Response was great last week – lets see if we can do even better this week.

Ready.  Set.  GO!

If you don’t know the details, click here.  Basically, you submit a sentence that you think would make a great start to a story.

Then you, the readers, vote on the top 3.  In coming weeks I will use those 3 as my writing prompts and we find out exactly where our imaginations can take us:-)

So enter away, share with friends, and be sure to check back next week to vote.  You can leave me sentences in the comments below, on Facebook, GoodReads, or Twitter (I have a new Twitter account created just for this – @sentencetostart).

I will collect sentences until Friday at midnight.

Thanks again for your help and I look forward to reading everybody’s sentences!


By submitting a sentence(s) you agree that the sentence(s) submitted become the property of Christopher Sorensen to be used and/or altered in any manner whatsoever.  You also acknowledge that you have no copyright claim whatsoever in any work derived from the sentence(s) you submit.